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J. Aday Kennedy Writing for Crumb Crunchers
Monday, 19 May 2008
Carol J. Amato Interview: Writing a Teacher's Guide
Topic: writing a teacher's guide

 

 Carol J. Amato hosted an online chat at the October 2007 Free Muse Online Writer’s Conference on writing a Teacher’s Guide to accompany a fiction or nonfiction book. She held a chat on "How to Start and Run a Critique Group" in 2008. 

 

 

Why not write a teacher's guide? It seems like a no brainer. If you can get your books into schools, your sales will increase.

CAROL J AMATO’s CAREER
Carol J. Amato is the author of 19 books and 175 articles. Her many memorable books for young people include the acclaimed series Breakthroughs in Science (The Earth, Astronomy, Inventions, and The Human Body), 50 Nifty Science Fair Projects, the Super Science Project Book, and 50 More Nifty Science Fair Projects.
Firmly believing that kids’ fiction can be educational as well as entertaining, Ms. Amato has applied her Master of Arts in Anthropology to creating an exciting middle-grade mystery series, The Phantom Hunters™. Each mystery takes readers to a different culture. The first book, The Lost Treasure of the Golden Sun, published in 2005, takes place on the Navajo Nation. Book #2, The Secret of Blackhurst Manor, set in Lincolnshire, England, will be out this fall. Her other recent titles include How to Start and Run a Writers’ Critique Group and The Lost Treasure of the Golden Sun Teacher’s Guide, both of which came out in 2006. Her articles have appeared in national magazines, such as PC Novice and Smart Computing.
Ms. Amato is a board member of the Writers' Club of Whittier, Inc., a professional writers’ critique group, and a member of the Children’s Literature Council and California Readers. She is listed Who's Who of American Women, Who's Who in the West, the World Who's Who of Women, and Who’s Who in America.


Here is this accomplished writer’s advice about writing a Teacher’s Guide.


Q: What is a benefit to writing a teacher’s guide?
A:Writing a 32-page teacher’s guide can open whole new markets for your K-8 books; teachers and home-school parents are the major one. They will want the kids to read the book because you have created ready-made activities, which saves them time from creating them.

Q:You can take the setting from your book and the time period and create a teacher’s guide that goes beyond the story itself.
A:
For example, The Lost Treasure of the Golden Sun, which is the first book in my middle-grade mystery series, The Phantom Hunters, takes place on the Navajo Nation. I created a teacher’s guide that not only had activities about the actual story, but also had activities and information on the Navajo Nation, Navajo culture and language, the Code Talkers, the Grand Canyon, Arizona geography and history, Arizona deserts and desert animals, other Arizona tribes, and American Sign Language (one of the characters is deaf).


Q: What steps should you follow to see how to write a guide?
A:This is really a multi-step process. The first thing is to go to a teacher supply store and look at all the teachers’ guides that are currently out on the market. You will want to create activities across the curriculum, so look at all types, such as history, math, social studies, etc., to see what kinds of activities they include.
The second step is to research the educational standards to see what curriculum matches the target age group and the subject of your book.
The third step depends on whether or not you have any teaching background. If you do, you should be able to determine what other kinds of activities you can include to make your teacher’s guide different from those on the market. If you don’t, you want to find a teacher at the grade level to which you are aiming to cowrite with you.


Q: Should a writer conduct research standards for the state and area and stage of mental development it is designed to strengthen?
A: This is absolutely critical. Ideally, a writer would research the standards first to find out what is in them, then create a story that incorporates them. I lucked out writing a middle-grade book about the Navajo Nation, since I didn’t discover until after the fact that kids in Arizona study the Southwest in the 4th grade and California kids study it in the 5th. What if this had been a 7th grade topic? I would have had a novel geared for ages 8-12 but a teacher’s guide for grade 7. That would never have worked.
I had already had the idea for the second book in the series, The Secret of Blackhurst Manor, which takes place in England, before I looked at the standards. I didn’t start writing until I did research them, however. I discovered that kids don’t study Great Britain per se in grades 4-6, but they do study Ancient Rome. The Roman Empire extended to the Scottish border, though, and the Romans built many English towns. Julius Caesar was a silversmith in Britain before he became emperor.
I changed my original setting of Yorkshire to Lincolnshire; specifically, Lincoln, the town my ex-husband came from and which was founded by the Romans in 46 AD. The castle and cathedral there date from Norman times. The castle’s dungeon provided a super opportunity for some great scenes and plot twists, and of course, since my main character can see ghosts, the book had to have some who were Roman soldiers. This will allow me to create activities and research projects that deal with the Romans in Britain.
These days, in order to comply with the No Child Left Behind Act, teachers must teach to the standards. Anything that will help them to accomplish this task more easily will be welcomed.

Q: Should you reference the curriculum covered by exercises that support specific state guidelines or mental development?
A:
Doing so is absolutely critical. You will probably notice that a lot of teacher’s guides have the standards referenced at the front or the back of the guide. Teachers to whom I have spoken state that this is useless to them, since they can’t tell at a glance what activity is for what standard or development level. Instead, they want to see the standards printed on the page to which they apply. I have included mine in the footer of each page.
In addition, you need to include activities that not only target the average student, but also the gifted students, the slow learners, and the students for whom English is a second language. I have coded my pages with G for gifted, R for Resource (slow learners), and ELL (English Language Learners). It’s assumed that all the activities can apply to the class in general.
Also, put the word “Reproducible” on each page that the teacher can freely photocopy and distribute to students.

Q: What types of exercises will work?
A:
The types of activities can include word games (like word searches and crossword puzzles), quizzes, and art, writing, and research projects. In one activity, I have the students creating a newspaper with articles about “trips” they’ve taken on the Navajo Nation and things they’ve seen there, researched from the Internet. Having a technical component (using the Internet to conduct research or software programs to create projects) is also critical.

Q: How would you promote the guide?
A: If your publisher publishes it, it will no doubt be sold through the same channels as your book. The publisher should also offer it to teacher supply stores. Bear in mind that public libraries will not buy it (though school libraries might), since it’s considered a “consumable” book; that is, it falls in the workbook category. Libraries don’t want to carry anything that might tempt a young reader to mark up the pages.
You can offer it on your website, but if your publisher agrees to publish it, be sure not to violate any terms of your contract; e.g., are you allowed to sell it on your site via a shopping cart or do you have to refer buyers to the publishers’ website?
You can also buy a list of teachers and send them direct mail. I would avoid e-mailing them. Many teachers don’t even have e-mail, and even if they do, many school district servers filter out most e-mail from the outside. Your publisher should also let the buyers of your book know that it’s available.
I exhibit at trade shows and book fairs, and another step I intend to take is to get the book and teacher’s guide adopted through the school districts. Once a book is adopted, it will be on the curriculum list for all the schools in that district.

Q: Can a book be fiction and still be a teacher’s guide?
A:Yes, it certainly can. Mine are, as I’ve mentioned above. It’s a great way to get the students to learn about the setting of your story, other famous people who lived there, historical incidents that have taken place in that area, etc.

Q: What do you do if your publisher won’t publish it?
A: The answer is simple: Publish it yourself. How you do so depends on your budget. I’ve seen freebie teacher’s guides that consist of a few typed pages. Don’t be this simplistic. Get a program like Nova Development’s Publisher Pro, which is a very user-friendly page layout program that makes you look like a graphics genius. The program is cheap—about $80-$90—and the technical support is terrific—and free. You can also use MS Word, but it doesn’t handle graphics as easily as a program like Publisher Pro.
If your budget is limited and/or you don’t want to spend the money getting it printed until you find out that there’s a demand for your teacher’s guide, considering making it into a .pdf file and selling it as an e-book. Your cost will be free, if you’ve created the pages yourself. (You can find lots of free information on creating e-books on the Internet.) You can sell the guide for a minimal cost, such as $4.95, and every penny will be profit.
You can also have it printed, if you have enough outlets to which to market it.
Either way, have a professional cover designed. You want the book to look like something the teacher could purchase in the teacher supply store, even if it isn’t being sold there.

Q: Can you give some examples of exercises?
A: Certainly. As I mentioned before, you want to include activities across the curriculum: history, writing, reading comprehension, math, social studies, geography, science, technology, and art.
Here is a page by page rundown of what I included in my 32-page guide:
1 – Inside front cover
2 – Copyright page, which includes a letter to the teachers telling them about the guide.
3 – Table of Contents
4-5 – Story Summary
This is provided for the teacher’s use, so that if the students are doing book reports, he/she doesn’t have to read the whole book to find out if the students’ statements are correct.
6-7 – Story Quiz
This is a fill-in-the-blank quiz about the story, geared for reading comprehension. There is also a section discussing the theme of the story.
8-9 – Another quiz in which the kids guess who said what. The character is talking and the kids have to guess who it is. For example, “I like to tease people. I’ve been riding horses all my life. I also want to be an artist.” The kids have to guess which character this is and write his/her name in the blank below the quote.
10 – A word search using words from the book.
11 – This page is a word matching game. The kids have to match the word to its definition. Again, the words are from the book.
12-13 – These pages have some more quizzes on the story: putting events in chronological order, a true-false quiz, and a section allow the students to state their own opinions of statements about the story.
14 – This page is a recipe for Navajo fry bread. This activity requires parental/teacher supervision and states so at the top of the page.
15 – The American Sign Language Alphabet and the numbers 1-10.
16 – Background information about the Navajo Nation.
17 – An activity in which the kids plan a trip to the Navajo Nation. This incorporates the math element in that it has them calculating a route from their home to the Navajo Nation and finding out how many miles they have to travel.
18-19 – Background information on the history of the Navajo tribe.
20 – Different activities concerning a “trip” to the Navajo Nation. The kids refer to several Navajo websites, then create a newspaper with stories about the places they “visited.” They also draw pictures, make display boards of them, write an e-mail to a friend about the Navajo Nation, and write one-page descriptions of the places they “visited.”
21 – Page on the Navajo Code Talkers and some writing activities on this topic.
22 – Information on Navajo Clans and some writing activities on this topic.
23 – Word matching game on the Navajo words used in the book.
24 – An art activity on making a sand painting.
25 – Word search on more words from the story.
26-27 – Background information on Arizona as a state.
28 – Facts about Arizona as a state (state bird, motto, flower, etc.)
29 – Writing projects on the other tribes in Arizona.
30 – List of other research projects that the teacher can assign.
31 – A quiz about Arizona, based on the other information in the teacher’s guide.
32 – Answer key to quizzes and puzzles.
Be sure to come up with snappy, kid-friendly titles for your activities. If possible, relate them to the theme of your book. For example, my teacher’s guide for the Lost Treasure of the Golden Sun has a southwestern theme: “Research Roundup,” and “Tribes, Trails, and Treasure-hunters” are two of the titles I used. Other kid-friendly ones are “Let’s Make Fry Bread” and “Let’s Learn Sign Language.”



Posted by j.adaykennedy at 11:01 PM CDT
Updated: Sunday, 26 October 2008 6:50 PM CDT
Saturday, 16 February 2008
The Rock of Realm by Lea Schizas: Interview II
Topic: YA author interview

Title: The Rock of Realm

Author: Lea Schizas

ISBN: 1-932993-08-8 (Trade Paperback)

Young Adult Novel The Rock of Realm can be purchased through Amazon or Barnes & Noble

Lea Schizas is promoting her young adult novel The Rock of Realm in a blog tour this February. I had the opportunity to ask her questions about her book and her creative process. By reading Lea’s interview, I hope you will become intrigued with this author’s journey to publication. The book is an excellent example of fantasy fiction. A writer can learn a lot about character development (discussed on this blog the 15th of this month) and plotting.

The book can also be enjoyed for it’s entertainment value . Give the readers what they love; the good guys and the bad with a twist at the end. Everybody loves a surprise. Want to know what it is? Pick up a copy today and learn from a master story teller.


LEA's CREATIVE PROCESS

Q: What planted the seed for the idea of The Rock of Realm?
A: I’m not sure if there was any ‘one’ particular seed as much as having read and bought so many books for my five children as they grew up that the need to offer my readers a different slant to the villain became almost an obsession with me. I polled middle graders along with the over fourteen age group, asking them what they considered a villain to be. From their answers, which were basically all the same (someone who is bad, who can’t become good, who likes to do mean things), I began to outline Dread, the villain in The Rock of Realm. I wanted to give him a back story, a reason for being who he was, and bring the reader to a point where they need to ask themselves if Dread really is a villain or simply a complex character surrounded by circumstances. This, in itself, is a lesson to tell them that you shouldn’t judge a book by its cover.

Q: How did you start?
A:I started with the title. Most of my stories are conjured in my head once I have a title.

Q: How did you begin with your characters?
A: The first person I created was my villain because I felt he needed the most fleshing out. Next came my heroine. I knew I couldn’t just place her as the princess to Rock Kingdom but needed to place her in an obstacle course of discovery in order to bring out various emotions in her: anger, disappointment, fear, bravery.

Q: How did you come up with the plot?
A: The plot created itself as soon as both villain and heroine came to life. I knew I needed to draw a bit of the Wizard of Oz magic into my plot but without the lion, scarecrow, and tinman. Instead, I created a blend of animals and magical beings to bring Rock Kingdom to the surface.

Q: Did you write it on paper first?
A: All of my writing is done on paper first then transferred to the computer. This helps me continue the story without having to sit by the laptop all the time.

Q: Do you freewrite?
A: I do freewrite in the sense that I never look back from where I’ve left off in the book as I’m writing it. The most I’ll look back is the last paragraph and then I take off from there. I used to go back and edit while I wrote a novel but found this slowed my process and never really moved my characters anywhere. So now I simply write the book and once ‘THE END’ is penned only then do I begin the editing stage.

Q: How did you come up with the climax?
A: Without revealing too much, there needed to be a point in the story where Alexandra Stone, my character, had to face a decision about Dread, the villain. I needed it to be dramatic, to pull at the reader’s heart so I came up with a fight scene that finally reveals Dread’s real purpose and reason for being. That scene is one of my favorite parts in the book.

Q: Did you work with a critique group and if so, at what stage?
A: I did work with a critique group but only half way through the book. At that point I had a publisher who was interested in it so I decided to continue on my own otherwise the critique group would have put me behind about a year. Their help with the first part of the book helped me see the areas I needed to spruce up.

Q: Did you submit it as you wrote it or did you tweak it as the crits came in or did u hold them and do it at once?
A: I sliced, diced, and dissected before, during, and after crits came in. I worked on The Rock of Realm diligently for over a year.

Q: Did you write it in its entirety first?
A: I wrote the whole thing first before I subbed to the critique group.

Q: When did you begin the editing and do you continue to edit this way?
A: As I explained above, the editing stage comes after I finish a novel. I cannot go back to edit because it slows down the story for me the way I’ve conjured it in my head. I need to get it out of my thoughts, down on paper, then go back and tweak. I’ve always worked like that and always will. So when I have critiques, I’ll glance at them then store them in a file when I’m ready to begin editing.

Q: Where were you when the muse hit?
A: My usual hideout- on my computer. My family joke that I care more about my laptop than I do them. Hmm…

A million more questions are dancing through my head. I'll save them for the next time I am given the opportunity to interview her. This is the first in her planned series on Rock Kingdom. Be on the look out for those that follow. I'm sure they will entertain and teach all of us how to create our own fantasy worlds. Be sure and leave a comment or question for Lea and get a chance to win an ebook of The Rock of the Realm.


Posted by j.adaykennedy at 5:44 PM CST
Updated: Sunday, 26 October 2008 5:59 PM CDT
Thursday, 14 February 2008
The Rock of Realm by Lea Schizas: Interview
Topic: YA author interview

Title: The Rock of Realm

Author: Lea Schizas

ISBN: 1-932993-08-8 (Trade Paperback)

Young Adult Novel

The Rock of Realm can be purchased through Amazon or Barnes & Noble online.

Lea Schizas, author of the award-winning Young Adult fantasy/adventure The Rock of Realm will be stopping by on February 15, 2008 and February 17, 2008. She'll be available to answer questions on the making of The Rock of Realm or even to answer any writing questions you may have. Two lucky winners (one for each visit to my site on her blog tour) will receive her ebook as a door prize for leaving a comment or question.

CHARACTER DEVELOPMENT

Q: Your character’s voices are very strong. What would you suggest to others as the key to writing memorable characters?

A: Characters are like humans- they need to have their own likes and dislikes, their tics, their emotional upheavals. When I develop a character I read the dialogue. If I find I need to write ‘said so and so’ in order for the reader to know who is talking, then I go back into that character and flesh them out more. That’s not to say I don’t put tags, but the taglines are there to add more of a scene description or the character’s body language at the time to emphasize the happening and his/her reaction.


Q: Let’s talk about the characters in your novel. How would you describe three of them in 7 words or less?

A: Oh, I can describe them in less than that:

Butch: the brave and courageous protector
Pops: sarcastic, spoiled, pessimistic, yet sensitive
Jinx: starves for affection, a hidden hero

Q: Which 2 characters were the most challenging to create and why?

A: Dread was the hardest to develop because I needed to show various sides to this enigmatic man. His complex situation gave me the opportunity to begin Book Two of The Rock of Realm, where I now will explore Rock Kingdom’s background, more into why Dread had become the man everyone feared, and who or what is the cause behind this man’s mask.

Sarah Breckinridge was another hard one to develop. She is a secondary character yet also plays an important part in the book. She is the friend we all have, the one who looks up to us, who draws her strength from our own, the friend who tries to put a brave front. I needed to give something to Sarah that would pit her against Alex at some point, that would finally show why Sarah reacts to a certain situation the way she does. What that situation would be was my dilemma at the time.

Q: Can you tell your readers about a favorite scene or one you enjoyed writing without giving away too much and why?

A: My favorite scene in the book is that fight scene I mentioned earlier. In that particular scene, Alex displays humor, fear, bravery, and a mixture of total confusion when the ‘true’ villain reveals his identity. Two other unexpected characters join her as allies in this fight against these skeletal creatures, the Braks, which I find pulls on a reader’s heart, or at least it did to me, and deepens the whole book’s message I’ve subliminally placed: nothing is as it appears to be. This fight scene gave that message its clarity to the book and that is why I love that scene.

Alex
Q: Did you intentionally refrain from describing her physical characteristics and, why?

A: I’m glad to see you noticed this. Yes, I avoided giving Alex any real descriptive details because I wanted readers to visualize her in a different light. Not for her physical descriptions but for her characteristics and traits I gave her personality. I wanted them to place themselves as Alex, to step into her shoes as the hero and see themselves traveling through these adventures. There were mention of her hair color and birth mark, otherwise, the rest I allowed the reader to conjure.

Q: She acts as Sarah’s rock? Why?

A: Alex is Sarah’s strength as true friends go. She follows and compliments Alex, wants to please her friend and support her. This characteristic gives Sarah the realistic bond true friends have.

Sarah-
Q: Why was her character’s timidity important to the forming of Alex?

A: In order to show Alex’s strength I needed to give Alex a reason to hide her fears. For this reason Sarah’s weaker presence and fears had to be stronger than Alex’s to explain the reason for Alex’s adamant stand to get her friends back home safe and sound. If they both displayed their fears openly then neither would be distinct.

Q: What purpose does he serve?
Larok
A: Larok’s character is an introduction to Dread’s dilemma. More of Larok will be revealed as the series continues but for this first book he is like the storyteller behind the villain. His character is as enigmatic and full of purpose as Dread. They have a history together that goes back into their childhood. Consider them as two opposites, each believing they know the other yet never truly understanding each other’s motives. They are at a constant battle with each other like two spoiled kids who won’t back down because they each believe they are right.

Q: I love that the pet has a pet. Where did that idea come from?
Butch

A: Well, I figured I had Alex traipsing through Rock Kingdom with her best friend, and although Pops is Butch’s best friend, I thought I’d put a twist to this relationship and have Pops as Butch’s pet instead. This gave Butch more of the human characteristic I was looking for.

Q: Jinx – Cracks me up. Is his personality modeled after someone that’s quick witted and sharp tongued?

A: I’d be lying if I said no. Jinx is modeled after all five of my kids. I took a bit out of each of their personality and whipped up one solid and very entertaining hamster. His quick-witted humor comes from my son; the sarcasm comes from…well, any of my four girls.

I needed to have Jinx as close to Pops personality to have them clash and gnaw at each other yet also give Jinx his own trait to separate him from the squirrel. Glad you enjoyed him.

WORLD CREATION ETC...

Q: Did you create a map or have you for the sequels?

A: Yes, I’ve created a huge map of Rock Kingdom all the way through to book four. Each book centers on a different area within Rock Kingdom to give you the scope of its landscape, climate, people, and animals. For the first book, I offered a view of Dread’s Forest, The Qulany River, and a bit of the tunnel of mazes, the wall, tumbling rocks, and glimpses of the gardens around Rock Kingdom. In the other books, some of these areas will go into greater detail, exploring their depths, how they came to be, and their purpose for existence.

Q: Where did you get the ideas for the landscape?

A: The landscape came to me as I looked out from my sister’s small villa in Greece. You step outside into her gardens and all you see is greenery, mountains, blue skies…a peaceful tranquility. At that moment I knew this was the vision to create for Rock Kingdom.

Q: Why and where do the Braks come from? What inspired them?


A: Besides their physical traits- skeletal creatures with oozing slime that binds their prey- the Braks have a parallel comparison to the Indians and ‘white man’. The Braks occupied that part of Dread’s Forest before the humans discovered it. I gave them almost a cave-man entity- primitive yet resilient and forceful to take what they want. When the council built Rock Kingdom, the use of their magic tempered the Braks to become who they are now. I won’t go more into their existence not to spoil their story in the series.

Order your copy of The Rock of the Realm written byLea Schizas,. It's a Young Adult fantasy/adventure that can be enjoyed as entertainment 0r serve as an educational tool on a writer's journey to becoming a fantasy fiction author. Come by on February 17, 2008 and learn more about the CREATIVE PROCESS that birthed The Rock of Realm.

She'll be available to answer questions on the making of The Rock of Realm or to answer any writing questions you may have. If you are not the lucky winner of her ebook today, you can try again on February 17, 2008. Just leave a comment or question for her.


Posted by j.adaykennedy at 11:01 PM CST
Updated: Sunday, 26 October 2008 6:02 PM CDT
Wednesday, 23 January 2008
Carol Parenzan Smalley Children's Nonfiction Author Interview Part II
Mood:  not sure
Topic: school visit
Carol Parenzan Smalley Interview Part II
Children’s Presenter at Schools & Libraries


I'll reintroduce Carol Parenzan Smalley. Today we're examining her presentations to children.
Carol has published 16 books and is working on 17-19. She has written books for preschool age children through college. Her specialty is creative nonfiction. To see her books visit http://www.amazon.com/

She was recognized and honored by the Society of Children's Book Writers and Illustrators (SCBWI) for her work-in-progress on a nonfiction book about mathematical concepts at an amusement park.

Carol is a regular contributor to Children's Book Insider, where she authors articles on the business of children's book publishing. Carol Parenzan Smalley is a consultant to the Mohawk Valley Library System and Southern Adirondack Library System (New York), she has a wealth of information on the subject of presentations to children to share. To familiarize yourself with her children’s presentations go to http://www.performersandprograms.com/


Writing is only a small piece of what she does. She is an entrepreneur, college instructor, business consultant and start-up specialist. She’s a jack of all trades and master of many. Let’s see what she has to share about her presentations for children.


Q: Where was your first presentation/speaking engagement and how did it come about?
About six years ago, I volunteered to coordinate the family summer storytime program at my local library. It ran for six weeks, and each week had a different theme and guest. This experience gave me good insight into the patrons that the library served and possible other programs for them to attend. I did this on a volunteer basis, and the experience was priceless. About 100 people attended the program each week. It was incredible. (The town's population is less than 8,000.)

Q: How did you market these services in the beginning?
I started with my local library first, offering a free program to gain experience and collect recommendations for future marketing. Our library service quickly asked me to present to a consortium of libraries, which I did. It resulted in about 15 paid presentation bookings that summer.

Q: New authors and illustrators struggle with the question: what should I charge? What would you recommend in the beginning? How should a person decide?

The answer to this is two-fold. Charge what you think you are worth; charge what libraries can afford. Not every library can afford my programs, and they quickly are removed from my possible customer set. I'd love to present at every library for free, but that's not practical. As an author, one must remind oneself that this is your business. You are not in it for free. Your time is quite valuable. Sites like Performers and Programs are wonderful market research for writers. Everyone's prices are right there for all to see!

Q: Do you perform at schools as well as libraries? What other places?
Yes, public and private schools, community organizations, museums, and even amusement parks!

Q: Do you supply the librarians, teachers or coordinator with a kit, books or anything to prime your audience?

I supply them with a one-page information sheet for their promotional purposes. The rest is up to me when I arrive.

Q: How did you get involved with Performers and Programs?
This is the official program site for the public library system. For the school system, it is Arts in Education. The libraries asked me to submit information for the first. I have yet to do the second, as I am maxed at the moment with commitments (teaching, writing, presenting, consulting).

Q: How do you gauge the success of a presentation?
My programs are very interactive. If the children and I have a good time sharing and growing through the experience, it was a good program. I don't really present as much as I guide. Of course, sometimes, they guide me! That's always the best. I get invited back often. That's a good sign my programs are well received.

Q: How do you keep your audiences attention?
I empower them to make the time with me the best it can be. I allow them to get what they are ready and able to get from the program. I may go into the program with one idea and switch directions midstream. That's OK! The program is for them, not for me. Each group is different. I need to be flexible.

I hope you enjoyed reading about Carol Parenzan Smalley’s creative nonfiction writing and her presentation s for children.

If you have comments or questions for Carol email her at csmalley@frontiernet.net or call 518-568-3450.

She is an online writing instructor through ed2go. I became acquainted with Carol through her course Writing for Children .It was essential in teaching me how to write for children. You can register fort he course here http://www.ed2go.com/cgi-bin/ed2go/newcrsdes.cgi?course=wfc&title=Writing^for^Children&departmentnum=PW

Her books can be purchased at Amazon.com here
http://www.amazon.com/s/ref=nb_ss_gw/002-8497299-7935242?url=search-alias%3Dstripbooks&field-keywords=Carol+parenzan+Smalley&x=13&y=17

Posted by j.adaykennedy at 5:19 PM CST
Updated: Sunday, 26 October 2008 6:06 PM CDT
Sunday, 20 January 2002
Carol Parenzan Smalley Children's Nonfiction Author Interview
Mood:  not sure
Carol Parenzan Smalley Interview Part I: Author Of Creative Nonfiction

I would like to introduce my blog visitors to Carol Parenzan Smalley. Carol has published 16 books and is working on 17-19. She has written books for preschool age children through college. Her specialty is creative nonfiction. To purchased her books visit http://www.amazon.com/s/ref=nb_ss_gw/002-8497299-7935242?url=search-alias%3Dstripbooks&field-keywords=Carol+parenzan+Smalley&x=13&y=17/

She was recognized and honored by the Society of Children's Book Writers and Illustrators (SCBWI) for her work-in-progress on a nonfiction book about mathematical concepts at an amusement park.

Carol is a regular contributor to Children's Book Insider, where she authors articles on the business of children's book publishing and a consultant to the Mohawk Valley Library System and Southern Adirondack Library System (New York), she has a wealth of information to share.

Writing is only a small piece of what she does. She is an entrepreneur, college instructor, business consultant and start-up specialist. She’s a jack of all trades and master of many. Let’s see what she has to share about her writing today and presentations for children on Thursday..


Q: Please tell a bit about you and your first steps into the area of writing children's creative nonfiction.
About five years ago, I approached children's editors in a non-conventional manner. I did not send query letters. I did not send manuscripts out for consideration. Instead, I emailed about 30 education editors and introduced myself, shared my background, and included a few interesting facts about my life. Within 24 hours, I had contracts to write seven books. They matched my background and abilities to what their current needs were. Very untraditional. I don't recommend this for everyone, but, as this case shows, being different can have its rewards. I took the leap.

Q: How did children's literature become a passion for you?
We have always homeschooled our daughter, who is now 14. From time she was about three months old, she and I made weekly, if not more often, trips to the library. We would tote or wheel in our returns and come out with an abundance of new titles to explore. Her love for books and reading is what allowed my passion for children's literature to resurface. As a child, I was a prolific reader, but as I became more engrossed in adult reading, the children's books were forgotten. My daughter was the catalyst to revisit kidlit. Our homeschooling adventures are literature driven. We've even explored mathematics through children's stories.

Q: What are a few of your favorite nonfiction children’s titles in this area and why?
That's a tough one! Some of my favorites are Grossology, More Grossology, Yuck!, the One Small Square series, and The Adventures of Penrose the Mathematical Cat. I am fascinated by Robert Sabuda's numerous paper-engineered (pop up) nonfiction titles. What talent! (I want to be like Robert when I grow up.) I also enjoy what I call *faction* -- a combination of fiction and faction. Some of those titles include the Sir Cumference series of books and Arnosky's Crinkleroot books.

Q: What’s key to writing captivating creative nonfiction for children?
The key is to think outside the book cover. One of my latest nonfiction works takes place in an amusement park. We use the park as the classroom to explore mathematics on a middle grade level. But, what is truly unique about this book is what is on the page. Yes, there are words and photos. But there are also videos, sound effects, and voice over text right on the page. The electronics are embedded in the cover, and the book itself works off of a wi-fi network. The book is currently on the press.

Q: What words of advice or suggestions would you like to offer children's nonfiction writers?
Write from the heart. Share your passion for your topic with others. If you can convey what fascinates you, others will find the topic fascinating as well.

I hope everyone will return on Thursday to learn about Carol’s presentations to children at schools, libraries, museums, etc...

If you have comments or questions for Carol email her at csmalley@frontiernet.net or call 518-568-3450.

She is an online writing instructor through ed2go. I became acquainted with Carol through her course Writing for Children .It was essential in teaching me how to write for children. You can register fort he course here http://www.ed2go.com/cgi-bin/ed2go/newcrsdes.cgi?course=wfc&title=Writing%5efor%5eChildren&departmentnum=PW


Her books can be purchased at Amazon.com herehttp://www.amazon.com/s/ref=nb_ss_gw/002-8497299-7935242?url=search-alias%3Dstripbooks&field-keywords=Carol+parenzan+Smalley&x=13&y=17

Posted by j.adaykennedy at 11:01 PM CST
Updated: Sunday, 26 October 2008 6:08 PM CDT

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